| Price | Bid Increment |
|---|---|
| $0 | $5 |
| $50 | $10 |
| $250 | $25 |
| $1,000 | $50 |
| $2,000 | $100 |
| $4,000 | $250 |
| $10,000 | $500 |
| $20,000 | $1,000 |
| $50,000 | $2,500 |
| $100,000 | $5,000 |
| $500,000 | $10,000 |
Hand-signed lower left and numbered lower right.
Limited Edition: 43/115
Date: 1970
Image: 22" x 29 1/2"
Frame: 26" x 33"
Condition: Minor toning to the paper; otherwise, the print is in good condition. Colors are bright and vibrant. Minor marks to the frame, located primarily in the corners.
Artist Bio: Niki de Saint Phalle (1930–2002) was essentially self-taught and joined the Nouveaux Réalistes in 1961 as the group's only woman, meeting Jean Tinguely — partner, collaborator and later husband — the year before. She is known first for the Tirs, or shooting paintings, plaster reliefs concealing bags of paint that were shot with a rifle so the work bled; and then for the Nanas, the exuberant, monumentally proportioned and brightly patterned female figures she began in the mid-1960s as celebratory archetypes of the feminine. The trajectory from rage to celebration is the standard reading of her career. This image comes from "Nana Power," a portfolio of seventeen color serigraphs on Arches published in 1970 by Éditions Esselier and printed by Michel Caza in an edition of 115 — the Nanas translated into print at the height of the series.
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